Do not correct me

On the so-called political correctness on stage

Almost everything is Wrapped—yet Something is Not

The break with the real—an affect in situation

Forbidden Artwork

We are commodities

War Artwashed

Reject the obedience logic

The Art Abolishment

Being free from exchange is redeeming

Autonomy means Subversiveness

A fundament of the performance-critique

Fountain—the (Failed) Scandal of Democracy

Anything goes nah

Example Zero

Every selection means a division

Counterculture—An Impossible Performance

Culture is exclusion

Since art has been forbidden

Never been allowed

Odkar je umetnost prepovedana

Starost pridno zatira mladost

After Devitalized Theatre

Keep coping with dirtiness

The Revolution Square

The liberating movement

Trg revolucije

Osvobodilno gibanje

Disinfected or Alive

The fear-related habit to be subordinated

Srečanje, Borštnikovo. Navdih za izstop iz dominantne festivalske paradigme

Dragocena beseda

Beyond (Theatre) Institution, towards Self-organization of Production

Mind the culture industry

Čakajoč politično. K protagonizmu v performansu

Kako se opreti na moč protagonizma vseh

Težave z institucijo. K samoorganizaciji produkcije. Skica

Kaj in kako po instituciji

Kulturne tako imenovane politike

Orodje za zaničevanje politizacije

Sodobne scenske prakse onkraj statusa razlike

Kontra dibidon, Potohodniki, KPGT, Ex ponto

Zev, ki zamaje institucijo. Nemi lik v utopiji performansa

Prostor onkraj

O utelešenju kritike v performansu

Prej govor kot predstavitev

Trajna okupacija, nenehni upor

26 slika Godine in Zafranovića

Subjectivation in Contemporary Art. Loosening of Performative Order based on the Performer-Spectator Statics

On a brutal aestheticisation

Da sve ovo samo snevam

FIlmus Slobodana Šijana

Pluti je treba, ne živeti (črtica o kritiki)

Besedilo je izzivalno, ko odpira možnost debate

Performativne intervencije v estetskem režimu

Tapisonirano vnebovzetje in Goreči križ

Upor v spektaklu, spektakel v uporu

Obskurnost kamere v protestu

Upor proti estetizaciji upora

Umetnost nima statusa razlike

Resistance Against the Aestheticisation of Resistance

Beyond the status of difference

Overcoming the Fear of Exercising Our True Desires

Toward the space of everybody

Odhod iz kulture

Kulturalizirana umetnost je nevarna

K reapropriaciji skupnega. Na primeru tovarne Rog

Tovarna Rog od ideje do izdelka