Do not correct me

On the so-called political correctness on stage

Radical/Pause

Participation must stop

Almost everything is Wrapped—yet Something is Not

The break with the real—an affect in situation

context / metatext / joy

not to stare, but to look into each other’s eyes

Forbidden Artwork

We are commodities

War Artwashed

Reject the obedience logic

Underground

Derailing from ambivalent artistic ruts

The Art Abolishment

Being free from exchange is redeeming

Autonomy means Subversiveness

A fundament of the performance-critique

Spectacular Celebration (Outta Stage)

Theatre is boring

Clip—the Matrix Crack

Film is the past, but there is no past

On Tenderness and its Filmic Articulation (during the Fall of the empire)

Desexualization of the common

Fountain—the (Failed) Scandal of Democracy

Anything goes nah

Let Your Drama Go

Why fuck the system, notice its unimportance

Example Zero

Every selection means a division

Toward Limitlessness

A chthonic impulse in the present moment

Counterculture—An Impossible Performance

Culture is exclusion

Leaving the Theatre of the Absurd

Singing kept us alive

Since art has been forbidden

Never been allowed

After Devitalized Theatre

Keep coping with dirtiness

The Revolution Square

The liberating movement

Disinfected or Alive

The fear-related habit to be subordinated

Under Pressure

Everything is about emotion

The Puppet in Us, the Idol in It

We are the idol we want to have

Beyond (Theatre) Institution, towards Self-organization of Production

Mind the culture industry

Subjectivation in Contemporary Art. Loosening of Performative Order based on the Performer-Spectator Statics

On a brutal aestheticisation

Resistance Against the Aestheticisation of Resistance

Beyond the status of difference

Overcoming the Fear of Exercising Our True Desires

Toward the space of everybody